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Why art can be «capital»

Abstract

The author shows how art is transformed into symbolic capital based on public recognition that artistic value does not exist in isolation: it is produced and confirmed by institutions of legitimation, and can then be converted into economic benefits, social connections, and influence.

About the Author

M. Borozna
Белорусская государственная академия искусств
Belarus

Mikhail Borozna



References

1. Bourdieu P. The Forms of Capital // Handbook of Theory and Research for the Sociology of Education / ed. by J. Richardson. – New York, 1986. P. 241–258.

2. Bourdieu P. The Field of Cultural Production: Essays on Art and Literature / ed. and introd. by R. Johnson. – Cambridge, 1993.

3. Bourdieu P. Distinction: A Social Critique of the Judgement of Taste / trans. by R. Nice. – Cambridge (MA), 1984.

4. Kossowska I. Cultural Diplomacy and Informal Artistic Relations in East Central Europe in the 20th Century: A Global Perspective // Arts. 2025. Vol. 14, №2. Art. 41. Doi: 10.3390/arts14020041.

5. McKercher A. The Art of Soft Power at Expo 67: Creative America and Cultural Diplomacy in the US Pavilion // Journal of Curatorial Studies. 2016. Vol. 5, №3. Doi: 10.1386/jcs.5.3.368_1. P. 368–389.

6. Anholt S. Beyond the Nation Brand: The Role of Image and Identity in International Relations // Exchange: The Journal of Public Diplomacy. 2011. Vol. 2, №1. Art. 1.


Review

For citations:


Borozna M. Why art can be «capital». Science and Innovations. 2026;(2):31-34. (In Russ.)

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ISSN 1818-9857 (Print)
ISSN 2412-9372 (Online)